I posted to loveneverdiesphantom.co.uk
Ramin Karimloo CD
http://www.loveneverdiesphantom.co.uk/ramin-karimloo/ramin-karimloo-cd
Ramin Karimloo, star of The Phantom of the Opera and next year’s world premiere of Andrew Lloyd Webber’s Phantom sequel Love Never Dies, along with I’d Do Anything’s Sarah Lark, How Do You Solve a Problem Like Maria?’s Abi Finley and other musical stars have recorded the September released concept album for BLUEBIRD, a passionate new musical set on the homefront during the Second World War. Normally priced £13.99, the 24-track CD, produced by Escape Records, comes with 12-page souvenir booklet.
Bluebird is a passionate new musical, set during World War Two and charts the story of ordinary people living in extraordinary times. It tells the heartbreaking story of Roberta Jones (Sarah Lark) as she comes to terms with her husband Pete (Stephen Weller) going off to war. Roberta, a nurse, soon meets the charismatic U.S. serviceman Ben (Ramin Karimloo) and a friendship grows, much to the disapproval of best friend, Jane (Abi Finely). Ramin Karimloo remarked: It was great to help out a new and up and coming British composer. (Gareth Peters) He has put his heart and soul into this project. I think he’s done a great job and was honored to be asked to take part in it and also have a song written for me. It was also a lot of fun to go back to singing with a rockier sound.
Technorati Tags: Andrew LLoyd Webber, bluebird, british composer, musical, musical stars, Ramin Karimloo, Roberta Jones, Sarah Lark, souvenir booklet, Stephen Weller
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40 Minutes ago | Comments »
I posted to theatrebreaksmag.co.uk
Oliver! London
http://theatrebreaksmag.co.uk/oliver-london/
Today I’m looking at Oliver! the hit West end musical, as I continuing my series for the magazine of my top 5 classic shows. These are the shows that I think everyone could enjoy whatever their musical taste, and I feel that should definitely hold true for Oliver! London today is still in some ways related to the brutal city that Dickens portrays, but Oliver’s magic comes from more than just the story. It is the heart, passion and spectacle of the production that keeps Oliver! London’s own popular choice for musical theatre breaks. Oliver! London Theatre At It’s Best I think Oliver! is a great choice for a theatre break. The elements of an emotional story from the master storyteller, a superb cast and wonderful songs we all already know and love is hard to beat. Add in some delightful urchins, a backdrop of semi-familiar London sights and you have got a real treat! The Story, Oliver! London musical The musical version of Oliver! is not quite as bleak a vision as that of the book. Fagin is transformed and although still a rogue he does have moments of being almost lovable. We are treated to some marvelous set pieces like the scene in the orphanage and of course Fagin’s Den with his band of ragamuffins. What happens to Nancy is still a shock but in the end good triumphs over evil and we all have the feeling we’ve just enjoyed a wonderfully satisfying meal with all the trimmings. The Cast of Oliver!
Oliver London We all followed the story of Jodie Prenger as she fought her way through each round of I’d Do Anything but few of us realised what a great Nancy she would actually be. Since the show started back in December 2008 Jodie has consistently given stunning performances. She has provided the chore around which a number of Olivers and Fagins have been able to weave their own interpretations of Dickens’s heart-breaking story. Without a totally believable, warm and lovable Nancy the whole story would fall flat. Jodie has filled that role with a passion. Soon, though, Jodie is moving on and the next few months will give us our last chance to see her in the role. That alone would be enough to make this a ‘must see’ show but the exciting news is that the wonderful Kerry Ellis is going to take over in the role. Kerry has a very different quality to her voice and I think she will give us a much more waif like Nancy. In some ways her fragility with that inner steel that she showed so well in her performances as Elphaba (Wicked) will be much closer to Dickens’s vision. It’s going to be an interesting transfer and one that will definitely be worth seeing. The newest member of the cast at the moment is Griff Rhys Jones who has just taken over as Fagin. He will be in the show for at least the next 6 months and seems to be relishing the part of the wily, old scoundrel. Jones has a good strong voice and plenty of West End experience having won a double Olivier award for his roles in Charlie’s Aunt and An Absolute Turkey Also new in the current cast is Stephen Hartley, though he is far from new to the role of Bill Sikes. He played Sikes in the Palladium production of Oliver in the 1990s. Physically he is closer to Dickens’s description of Sikes than the role is sometimes played and none the worse for that. The Music I think I’ll just let the music speak for itself!
Hotels for Oliver! London Theatre Breaks As Oliver! plays at the Theatre Royal Drury Lane I’d go for a central hotel, somewhere like the 4* Strand Palace would be ideal. It is definitely a bit of affordable luxury and is close to the theatre and to the shops, restaurants and bars of Covent Garden. If you are on a slightly tighter budget the 3* St Giles Hotel is only 1/2 a mile away and is jolly nice. So there you have it, a quick guide to Oliver! London, one of my top 5 choices for theatre breaks. You can click through to read more about Oliver! London.
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December 17 2009, 12:42pm | Comments »
I posted to usefulwiki.com
London Theatre Packages
http://usefulwiki.com/londontheatre/london-theatre-packages.html
London theatre packages come in a variety of shapes and sizes but they all have one thing in common. They make delightful gifts! Choosing presents for loved ones is never easy and when it’s for a much loved Mum and Dad it can be really hard. What can you get the couple who have everything? A giant food hamper perhaps? Well, maybe, but it’s just food. Might be, dare I say it, a little dull? After all your Mum is just going to add it to that already overstocked pantry and freezer and while your Dad might enjoy the bottle of malt whisky it doesn’t really show much thought does it? London theatre packages are much more interesting and entertaining. First of all you get the fun of choosing what show you think they’ll enjoy. I’ve got some more advice about that in a minute. Then you can pick them a nice hotel, maybe throw in a pre-theatre dinner, and book their train journey as well. If there are a few of you sharing the expense you could add in an extra night and maybe one of those river cruises with dinner if it’s an extra special occasion. By now you are probably thinking this is going to cost a fortune but theatre break packages for London are really quite good value at the moment. You can get weeknight tickets for Les Miserables and one night in a 3* London hotel for under £100 at the moment. Adding an extra night only adds around £35 each! Dinner is around £15 – 20 per person. All very affordable really. And just think of the brownie points on Christmas morning! London Theatre Packages Choosing a show
So how do you choose what they’d like to see? Sometimes it is obvious and easy to just choose their favourite show. If your parents are not quite so predictable I’d start with their music collection if I were you. Here’s some tips: Lots of classical stuff, some light opera, SuBo’s new CD = Les Miserables or just possibly Phantom of the Opera. If you are feeling adventurous book for Love Never Dies so they can brag to their friends about being the first to see it! Not much after 1965, except maybe some Shawadiwadi. Your Dad goes a bit funny when anyone mentions Olivia Newton John – they are going to love either Jersey Boys or Grease! Your Dad’s rock collection is rivaled only by your Mum’s passion for Freddie Mercury – has to be We Will Rock You Your Mum knows all the words to Dancing Queen and still has all her signed photos of Bjorn. Your Dad liked the film – Mamma Mia of course
I expect you get the idea by now. You could always surprise them and choose tickets to Chicago (still the sexiest show in town) or even Dirty Dancing. They’d have a great time at either whatever their musical taste. That’s the thing really. All the shows that are on in London are worth seeing. Oh and it’s not just musicals, you can get London theatre packages to see plays, opera and even ballets! a
Related posts:London Weekend Breaks By RailFriday Theatre Breaks with Dinner and HotelWeekend Theatre Breaks in London
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- Love Never Dies
- London theatre packages
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December 16 2009, 2:43pm | Comments »
I posted to flickr.com
A night at the theatre
Barbara Campelli has added a photo to the pool:
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December 15 2009, 1:47am | Comments »
I posted to theatreinlondon.blogspot.com
Billy Elliot London
http://theatreinlondon.blogspot.com/2009/12/billy-elliot-london.html
One show to see in 2010 is going to have to be Billy Elliot LondonI think it's going to be a year when some of these issues about individual aspiration, about community solidarity, the clash of loyalties between ideals and obligations, family and class, wil all be back on the agenda. Besides, Billy Elliot London is a great musical which has stood the test of time already, and even become a big hit over the Atlantic in New York of all places.
December 14 2009, 12:46pm | Comments »
I posted to theatrebreaksmag.co.uk
Billy Elliot London
http://theatrebreaksmag.co.uk/billy-elliot-london/
I thought I’d do a series for the magazine of my top 5 classic shows that I think everyone should see. I’m going to start with Billy Elliot and try to explain exactly why Billy Elliot (London) remains one of the best choices for theatre breaks.
Billy Elliot London Billy Elliot -London Billy Elliot the musical started in London in 2005 at the Victoria Palace Theatre. It was based on the 2000 film Billy Elliot with a book by Lee Hall (who wrote the original screen play) and music by Sir Elton John. The film was a hard act to follow. Everyone remembered Julie Walters as the ballet teacher and Gary Lewis as Billy’s coal mining father and it was tricky to see how Billy could ever become a musical. Despite any worries the show was an instant hit with both the public and the critics and it has remained so ever since. The Story of Billy and of the Miner’s Strike Billy Elliot is a young boy who develops a passion for ballet growing up in Co Durham in the early 80s at the time of the miners’ strike. It’s quite strange to see a time I vividly remember portrayed on the stage and they do play slightly with the chronology of events. You really don’t need to know the history of the miners strike to appreciate the show. Your emotions and sympathies are guided through the passage of the story and in some ways knowing too much about the real events of the time can get in the way. It is interesting to note that two of the best loved musicals on in London at the moment both have their origins in Northern working class sensibilities (Billy and Blood Brothers). Both shows focus on the warmth and humour of the North but neither shies away from some fairly grim aspects. The musical show tells the human story of Billy and his family with great compassion and clarity. I’m not going to go into the plot in great depth here as there may be some people (from Mars?) who don’t already know the story. Surfice it to say the story is moving and entertaining. The Music The music is stunning. Elton John was definitely on top form when he wrote this and it’s really hard to pick out one or two numbers to share with you. So I decided to go for this medley to give you a flavour of the show:
The Billys The role of Billy Elliot is hugely demanding of young actors. Billy has to be between 9 and 13 years old, 5′ or less, a terrific dancer and have a beautiful unbroken voice. To find one boy like that would not be easy but the role is actually shared between at least 3 or 4 Billys. This allows the boys to work within the UK legislation regarding child actors. Whilst there are several children in West End shows at the moment few carry the weight of the show in the same way that the child who plays Billy must. Typically the boys who have play Billy are aged around 12 and have usually been dancing for at least 3 years before auditioning for the show. Often they will have studied ballet, tap, jazz and comtemporany dance, competed in several competitions before they eventually audition for Billy. Auditions for the show go on continuously and successful applicants move to London live in Billy Elliot House. There they continue with their normal school studies in addition to working on their singing and dancing. Hotels for Billy Elliot Billy is not in the main area of the West End but in Victoria, near to the Apollo (Wicked). You can either decide you want to stay somewhere closer to the shops or look for a hotel that’s handy for the theatre. I’m quite fond of the area round Victoria so I’d probably opt for a hotel near the theatre if it was just overnight. There are lots of nice little places to eat, there’s St James’s Park if you fancy a walk, you are not far from the river and Tate Britain if you feel like some art. Actually the restaurant in Tate Britain is lovely for lunch, a little pricey but very pleasant! Victoria is also very convenient for public transport and at weekends buses provide a surprisingly good way of getting round the city. I’m not a huge fan of the tube and London buses do give a chance to see where you are going! My first choice would be the 4* Crown Palace London St James. It’s a lovely hotel, usually offers a full English breakfast in with the price and is handy both for the theatre and for St James’s Park. It’s less that 1/4 of a mile from the theatre and offers a bit of surprisingly affordable luxury. Keep in mind that a more central 3* hotel could end up costing more per person and often does not include a substantial English breakfast. Seats at Billy Elliot London When you book with some agencies they will give you quite a wide range of seating options. It is often the case that you get what you pay for with these deals, lowest cost seats will be further away from the action. Having said that it would be very unusual for the theatre break package companies to offer tickets with a restricted view without telling you in advance. Other agencies offer a choice of top seats ( in the stalls or dress circle) or best available seats (stalls, dress circle, or upper circle). The upper circle is know as the grand circle in the Victoria. The Victoria is an old theatre and my recommended seats are undoubtedly those in the middle of the stalls as they offer the most leg room, a good view and good value for money. So there you go, a quick guide to Billy Elliot (London), an ever popular choice for theatre breaks. You can click through to read more about Billy Elliot (London)
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December 14 2009, 7:21am | Comments »
I posted to theatreinlondon.blogspot.com
Priscilla? Queen? Desert?
http://theatreinlondon.blogspot.com/2009/12/priscilla-queen-desert.html
Priscilla? Queen? Desert?: "Ever wondered how Priscilla Queen of the Desert – the Musical came into being? The show is based on the 1994 film, starring Terence Stamp, which was written and directed by Stephan Elliot. The film attacked the mythology of the heterosexual outback male, the ‘good ‘ocher’, like Crocodile Dundee. It showed these straight, white, Australian men to be heavy drinkers suspicious of anything they don’t understand, violent, rude and vulgar. Their definitions of masculinity constrained and rigid. In the film the desert landscape provides an amazing, extremely natural backdrop to the artificiality of the drag queens. One of the most powerful moments of the film shows the main characters, in full drag, climbing up King’s Canyon.Priscilla Queen of the Desert – The Musical brings the same basic story to the West End stage. But what happens to it without backdrop of the Australian desert and does it matter in the end?Priscilla?The Priscilla of the title isn’t a cast member as such but she is definitely becomes a character in the show. She is in fact a purpose-built VW bus. But this is a VW like no other you’ve ever seen before!priscilla queen desert5 little known facts about the amazing bus at the heart of the story. Not just any old VW bus Priscilla forms an integral part of the stage set for the show.Priscilla is a highly technical piece of set design with an onboard computer and she cost over $1 million Australian dollars to build.She is 8 meters long and weighs almost 6 tons and she sits on a ring revolveShe has a fully retractable side wall panelShe has 3 internal hydraulic liftsShe can shakeLike any great disco setting she changes colour, thanks to 100s of LED lights in her panelling.Like many VW busses Priscilla can be temperamental and her computer gave the show’s producers a few headaches during pre-views. By the way, did you spot the divas up above the bus? Read on to discover more about their role in the story…Queen?Although we all know that the bus is supposed to be the queen of the show she’s got some serious competition from the other stars of the show. Jason Donovan plays Tick who’s alter ego is drag queen Mitzi Del Bra. Tick agrees to travel to Alice Springs, in the heart of the Australian outback to do a show and invites outrageous fellow drag queen Adam, Felicia (Oliver Thornton) and recently bereaved, transsexual Bernadette (Tony Sheldon) to join him. They travel in a beat up, old VW bus which Adam christens Priscilla. Along the way they collect Bob, the mechanic, meet a variety of Australian characters (mostly in bars, see above!) and eventually reach Alice Springs where Tick is reconciled with his 8-year-old son Benjamin. Some find love, others understanding and all emerge stronger and better able to cope. It’s hard to say who is ‘queen’ of the London production but Tony Sheldon’s performance as Bernadette takes some beating.Click here to view the embedded video.Then there are those queens of disco, the Divas.The Divas are 3 first class singers who have been added to the stage show to get over the problem of miming. At several points in the show the three drag artistes mime as part of their stage shows, just like real drag acts would. To avoid the danger of the audience feeling the show was anything other than 100% live the idea of the 3 divas, described by Stephan Elliott the film’s writer/director, as ‘desert drag goddesses’, was born. The 3 divas sing and their songs are lip-synched simultaneously by the leads. The divas have to have amazingly strong disco voices that will stand up to the power of songs like I Will Survive and Downtown. Not only that they have to deliver these show-stopping songs whilst while suspended high above the stage, supported by harnesses that run right across their abdominal muscles. It is quite incredible that they are able to belt out these powerful anthems in such a precarious position! Being suspended causes another problem for the divas. Any wild movements and the whole set will start to swing. All their actions while they are up there have to be concentrated on their arms from the elbow to the fingertips. The divas in London are currently played by Zoe Birkett, Kate Gillespie and Emma Lindars. Desert?Priscilla Queen desertThe staging of the show is supposed to evoke the Australian desert. This is mostly done with atmospheric lighting but it can’t really compete with the reality of the film. And why should it? This is a stage musical after all and we are there more for the music and the spectacle than any deep meaningful insights. The desert and the feeling of heat was such a big part of the original film because the outback has special cultural significance to Australians. This is perhaps less true for a UK audience and anyway we’re far to busy bopping along to some disco classics to worry too much about anything deep and meaningful! Bring on the dancing cup cakes I say .So there you have it, Priscilla, queen, desert, at the end of the day what matters most seems to be the celebration of the human spirit, love, energy and excitement of disco rather than anything too deep.aRelated posts:Priscilla Queen of the Desert – The Musical – London 2009Priscilla Queen of the DesertPriscilla Queen of the Desert Theatre Breaks"
December 13 2009, 3:55pm | Comments »
I posted to usefulwiki.com
Priscilla? Queen? Desert?
http://usefulwiki.com/londontheatre/priscilla-queen-desert.html
Ever wondered how Priscilla Queen of the Desert – the Musical came into being? The show is based on the 1994 film, starring Terence Stamp, which was written and directed by Stephan Elliot. The film attacked the mythology of the heterosexual outback male, the ‘good ‘ocher’, like Crocodile Dundee. It showed these straight, white, Australian men to be heavy drinkers suspicious of anything they don’t understand, violent, rude and vulgar. Their definitions of masculinity constrained and rigid. In the film the desert landscape provides an amazing, extremely natural backdrop to the artificiality of the drag queens. One of the most powerful moments of the film shows the main characters, in full drag, climbing up King’s Canyon. Priscilla Queen of the Desert – The Musical brings the same basic story to the West End stage. But what happens to it without backdrop of the Australian desert and does it matter in the end? Priscilla? The Priscilla of the title isn’t a cast member as such but she is definitely becomes a character in the show. She is in fact a purpose-built VW bus. But this is a VW like no other you’ve ever seen before! priscilla queen desert 5 little known facts about the amazing bus at the heart of the story. Not just any old VW bus Priscilla forms an integral part of the stage set for the show. Priscilla is a highly technical piece of set design with an onboard computer and she cost over $1 million Australian dollars to build.
She is 8 meters long and weighs almost 6 tons and she sits on a ring revolve She has a fully retractable side wall panel She has 3 internal hydraulic lifts She can shake Like any great disco setting she changes colour, thanks to 100s of LED lights in her panelling.
Like many VW busses Priscilla can be temperamental and her computer gave the show’s producers a few headaches during pre-views. By the way, did you spot the divas up above the bus? Read on to discover more about their role in the story… Queen? Although we all know that the bus is supposed to be the queen of the show she’s got some serious competition from the other stars of the show. Jason Donovan plays Tick who’s alter ego is drag queen Mitzi Del Bra. Tick agrees to travel to Alice Springs, in the heart of the Australian outback to do a show and invites outrageous fellow drag queen Adam, Felicia (Oliver Thornton) and recently bereaved, transsexual Bernadette (Tony Sheldon) to join him. They travel in a beat up, old VW bus which Adam christens Priscilla. Along the way they collect Bob, the mechanic, meet a variety of Australian characters (mostly in bars, see above!) and eventually reach Alice Springs where Tick is reconciled with his 8-year-old son Benjamin. Some find love, others understanding and all emerge stronger and better able to cope. It’s hard to say who is ‘queen’ of the London production but Tony Sheldon’s performance as Bernadette takes some beating. Click here to view the embedded video. Then there are those queens of disco, the Divas.The Divas are 3 first class singers who have been added to the stage show to get over the problem of miming. At several points in the show the three drag artistes mime as part of their stage shows, just like real drag acts would. To avoid the danger of the audience feeling the show was anything other than 100% live the idea of the 3 divas, described by Stephan Elliott the film’s writer/director, as ‘desert drag goddesses’, was born. The 3 divas sing and their songs are lip-synched simultaneously by the leads. The divas have to have amazingly strong disco voices that will stand up to the power of songs like I Will Survive and Downtown. Not only that they have to deliver these show-stopping songs whilst while suspended high above the stage, supported by harnesses that run right across their abdominal muscles. It is quite incredible that they are able to belt out these powerful anthems in such a precarious position! Being suspended causes another problem for the divas. Any wild movements and the whole set will start to swing. All their actions while they are up there have to be concentrated on their arms from the elbow to the fingertips. The divas in London are currently played by Zoe Birkett, Kate Gillespie and Emma Lindars. Desert? Priscilla Queen desert The staging of the show is supposed to evoke the Australian desert. This is mostly done with atmospheric lighting but it can’t really compete with the reality of the film. And why should it? This is a stage musical after all and we are there more for the music and the spectacle than any deep meaningful insights. The desert and the feeling of heat was such a big part of the original film because the outback has special cultural significance to Australians. This is perhaps less true for a UK audience and anyway we’re far to busy bopping along to some disco classics to worry too much about anything deep and meaningful! Bring on the dancing cup cakes I say . So there you have it, Priscilla, queen, desert, at the end of the day what matters most seems to be the celebration of the human spirit, love, energy and excitement of disco rather than anything too deep. a
Related posts:Priscilla Queen of the Desert – The Musical – London 2009Priscilla Queen of the DesertPriscilla Queen of the Desert Theatre Breaks
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- Jason Donovan
- Oliver Thornton
- Tony Sheldon
- I Will Survive
- alice springs
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- mitzi
- priscilla queen desert
December 13 2009, 12:43pm | Comments »
I posted to theatreinlondon.blogspot.com
Breaks in London
http://theatreinlondon.blogspot.com/2009/12/breaks-in-london.html
Just a heads up that there's a new post over on the Theatre breaks in London blogBreaks in LondonNot necessarily theatre breaks but any information about planning breaks in London could come in handy for the theatre breaks as well.
December 13 2009, 9:45am | Comments »
I posted to cityescapes.eu
Wizard of Oz London
http://cityescapes.eu/theatrebreaks/wizard-of-oz-london/
The Wizard of Oz, one of the most well known musicals ever because of the famous MGM film starring Judy Garland, is coming to London in 2010. Yes, our old friends the Lion, Tin Man and Scarecrow will be following the yellow brick with a Dorothy chosen by another TV casting show called “Over The Rainbow” or possibly also “The Wizard of Oz” depending who you believe. The Wizard of Oz London
December 12 2009, 2:28pm | Comments »
I posted to usefulwiki.com
Weekend Theatre Breaks in London
http://usefulwiki.com/londontheatre/weekend-theatre-breaks-in-london.html
Weekend theatre breaks in London Weekend theatre breaks in London are a good way to fit in a mini holiday. You may not be able to afford the time or money for a full blown break but a weekend in London with a show can be enough to make you feel that you have actually had a holiday. It is all down to very careful planning. Choose your travel times You have to choose your travel times with care so that you make the most of your weekend. If you decide to travel by rail you need to watch out for any planned engineering works that could add frustration especially to your return journey. These are often planned for Sundays so if you can take an extra day and travel back on Monday you can avoid the problem all together. Hotels often offer an extra night for a very reasonable amount and you get an extra day in London. See below for more about Sundays in the city. It would be a shame to spoil your relaxed mood with a disrupted homeward journey. Luckily you can easily check using the trainline.com and find out if there is any work planned for your chosen dates. If there is then it might be best to re-think your dates or travel to London by car. How many days are there in a weekend? Friday If you travel on Friday and return on Monday you can have 3 nights and 2 full days in London. This is ideal if you can manage it as for just 1 extra day off work you can turn a weekend into a mini-break. Travel on Friday afternoon and you can arrive at your hotel, freshen up and go out for a nice meal, or an evening’s entertainment. Saturday Then you have all day Saturday for shopping, galleries or what ever takes your fancy. After an early (5:30-6:30 ish) pre-theatre meal you can get to the theatre in plenty of time, pick up your tickets from the box office, have a relaxing drink and be settled ready for the performance. Most shows finish around 10 – 10:30pm so after the show you will have time for a stroll round the West End, a light supper, a nightcap somewhere or even a club if that’s what takes your fancy. Then make your way back to your hotel, which, if you were wise when you were booking, will be only a short walk away. Sunday London is a different place on a Sunday. The tourist ‘traps’ are less busy, especially in the morning. London isn’t a city that wakes up early on Sundays so if you are an early bird you can see the sights before most people are even awake. London is famous for its street markets and these are great fun on a Sunday morning. Try Covent Garden’s Jubilee Market or, if you are feeling adventurous, try Brick Lane or Columbia Rd Flower Market. There’s lots of street food available and most of it is very good, so lunch won’t be a problem. After lunch you’ve got the luxury of a relaxing afternoon ahead of you. If you are into art you might try having a look at Tate Modern and if you are really energetic why not take the Tate to Tate ferry that runs between that and Tate Britain? Or just have a stroll along the Southbank. There’s usually something going on and it’s a great spot for people watching. If the weather is not so good there is lots of indoor entertainment too, maybe even visit the TKTS booth in Leicester Square and fit in an extra show! More shows are doing matinees on Sundays so it is definitely worth checking. You could even just find a good pub and settle in. Fullers pubs are quite traditional, have very nice real ale and are famous for their pies. If you are near Covent Garden you could try a real Cornish pub, complete with pasties and Cornish beer. Monday morning After the rush hour, and a good breakfast, you check out of your hotel for a leisurely journey home. So you can see how weekend theatre breaks in London really can work for you as a mini holiday if you plan them carefully. a
Related posts:London Weekend Breaks By RailFree Hotel Offer with London Theatre BreaksDirty Dancing Theatre Breaks
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December 9 2009, 8:32am | Comments »
I posted to theatreinlondon.blogspot.com
Oliver theatre breaks
http://theatreinlondon.blogspot.com/2009/12/oliver-theatre-breaks.html
I was thinking that Oliver Theatre breaks for the New Year would make a not shabby at all present for Jenny and the girls. Why not?Oliver! theatre breaksGriff Rhys Jones takes over from Omid Djalili as Fagin from Dec 14th 2009. Kerry Ellis (Wicked, We Will Rock You) is lined up to take over from Jodie Prenger as Nancy in the current West End production of Oliver! at the Theatre Royal Drury Lane.
December 9 2009, 7:56am | Comments »
I posted to theatrebreaksmag.co.uk
West End Breaks
http://theatrebreaksmag.co.uk/west-end-breaks/
West End Breaks – a great way to see London West End breaks are a great way to really get to know the glitziest area of London. Staying in the West End for a few days gives you a chance to see the capital and really get familiar with one small part of the metropolis. London can seem a bit overwhelming when you have to whiz about on the tube. Staying in one area where everything is within walking distance really helps you to connect with the city and start to feel comfortable with it. Things to do in the West End See a show, or even two. West End breaks - The Mousetrap The West End has some of the best shows and theatres in the world. Everything from the quintessentially English Mousetrap to the Broadway production of Cat on a Hot Tin Roof can be found within a few minutes walk. If you are booking a West End break to see one show why not try fitting in a matinee of another as well? You can get half price tickets for many matinees actually on the day at the Official Ticket Booth on Leicester Square. Do not be seduced by deals at the other so called discount booths as these are often overpriced once you add in booking fees etc. If you do not feel like another show you could even check out the latest films in Leicester Square. If you are lucky you might happen on some stars attending the latest world premier! Shop till you drop Shopping during a West End break is easy and fun. You are within walking distance of Covent Garden where ther’s a wonderful selection of interesting little shops, the Apple Market (which is full of crafts and antiques) and The Jubilee which is a fascinating market. On Mondays, Antiques; from Tuesday-Friday clothing and household goods, and on Saturday and Sunday arts and crafts. Venture a little further and you find one of the biggest shopping centres in Europe in Oxford St, Bond St and Piccadilly Circus. There you will find all the high end fashion and major shops you might want. Where the West End really scores though is with little unique shops in Seven Dials and Carnaby St which will intrigue and tempt you in to look at and buy things you didn’t even know you needed. Eat the world Food on a West End break is very easy to organise. You might want to book your pre-theatre dinner when you book your break. Most companies offer good deals on early dinners and restuarants are used to making sure you have had your meal with plenty of time to spare for what is usually a short walk to the theatre. It is so much more relaxing than trailing across London after you’ve eaten and worrying about getting to the show on time. The West End has lots of restaurants and they are always changing. You can eat in just about any style you fancy from Classic French to Japanese and just about everything in between. In Covent Garden you can even get a real Cornish pastie and a pint of genuine Cornish beer if that is what you fancy. Check the menu boards outside if you are worried about the prices but most places are fairly reasonable. London’s reputation for being expensive really is not deserved and prices compare very favourably with tourist traps like the Lake District and the Yorkshire Dales. For real food bargains head for Soho and explore China Town. It is just a short walk but a world away. West End breaks are a great way to get to know London and I hope this little introduction will help you to see that London is definitely worth getting to know.
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December 8 2009, 12:33pm | Comments »
I posted to usefulwiki.com
London Weekend Breaks By Rail
http://usefulwiki.com/londontheatre/london-weekend-breaks-by-rail.html
Are you looking for more information about London weekend breaks by rail? That’s actually a very good starting point because you’ve already made the best decision as far as transport goes for arriving in London. Go by train and you’ll not have to be worrying about things like car parking, how to pay the congestion charge or long motor way traffic jams holding up coach journeys. The fast inter city trains are also the quickest way to get from most UK cities into one of the central London mainline stations. London Breaks by Rail - Express Routes Weekend breaks can be for a West-end theatre show on any Friday, Saturday or Sunday night combined with a hotel stay of one night or more, including the show date. The most popular break tends to be a one-nighter including the big Saturday night out, but getting away early on a Friday makes a lot of sense too. Traveling on a Friday and Saturday gives a clear run through but Sundays can be fine for getting home too, depending on which rail line takes you back. All I’m saying is, check for regular Sunday engineering works if the service that relays between your city and London is one that may be prone to scheduled maintenance on a Sunday. Longer Weekend Breaks If your weekend break means going home on a Saturday of course, the traditional weekend has only just begun but then again I’ve noticed that for some people around here, the weekend definitely starts to ramp up on a Thursday night! London can be a very pleasant play to stay on a Sunday with less of a hurried atmosphere but still plenty of things to see and do so staying on for the whole weekend and then booking to get back on a Monday during the daytime can make for an extremely satisfying London weekend rail break, more like a mini holiday really. You could even make it a three or four night stay with the weekend theatre trip included, especially worthwhile if you have a long distance rail journey from one of the smaller rail networks that lie beyond the core inter city services. London Shows for Weekend Theatre Breaks One of the advantages with buying a theatre breaks package is that you can get good tickets for any of the more popular shows, even on a busy Friday or Saturday night. I tried to get an impulse ticket from the famous half price ticket booth the other day and after a lot of waiting around I came away without making a purchase. That was because the shows on offer didn’t include two that I was most interested in, and because the prices offered are not anything like half price at all. So supposing you’ve always wanted to grab a friend and go and see Hairspray, Dirty Dancing or Sister Act on a Saturday night but couldn’t find any available tickets except from the disreputable touts and so-called discount kiosks, well the answer is to do just a little bit of forward planning and organise a weekend break in London for just a few weeks down the line, then you can get on with life knowing there’s a fantastic treat in store for you to look forward to. London weekend breaks by rail are also perfect for really special occasions such as a big anniversary or celebration. Never mind seeing Les Miserables from the back of the upper circle, with theatre breaks packages it’s often possible to get best available seats with a competitive price guarantee, because the tour agents buy blocks of tickets way in advance and can therefore hold the best seats open for people who are booking the whole London weekend theatre package thing with the hotel stay and return rail tickets included. This is just one suggestion, but supposing you were a big fan of the Phantom of The Opera having seen it many years ago, and fancied repeating the experience in today’s West End. This gives you two possible shows for London Weekend breaks by rail because the new show with the Phantom opens in March 2010 and it’s going to be one of Andrew Lloyd Webber’s biggest shows ever, called “Love Never Dies“. By booking the rail tickets well in advance in combination with London weekend breaks, (that’s the show and hotel stay), you get the full discount on the rail tickets which can mean as much as a 70% saving off the regular return saver. If it appears as if the only shows on in London are the big musicals then that’s certainly not the case. There are always a number of serious plays also on in the West end, usually for shorter
Ever wondered how Priscilla Queen of the Desert – the Musical came into being?
The show is based on the 1994 film, starring Terence Stamp, which was written and directed by Stephan Elliot. The film attacked the mythology of the heterosexual outback male, the ‘good ‘ocher’, like Crocodile Dundee. It showed these straight, white, Australian men to be heavy drinkers suspicious of anything they don’t understand, violent, rude and vulgar. Their definitions of masculinity constrained and rigid. In the film the desert landscape provides an amazing, extremely natural backdrop to the artificiality of the drag queens. One of the most powerful moments of the film shows the main characters, in full drag, climbing up King’s Canyon.
Priscilla Queen of the Desert – The Musical brings the same basic story to the West End stage. But what happens to it without backdrop of the Australian desert and does it matter in the end?
The Priscilla of the title isn’t a cast member as such but she is definitely becomes a character in the show. She is in fact a purpose-built VW bus. But this is a VW like no other you’ve ever seen before!
priscilla queen desert
5 little known facts about the amazing bus at the heart of the story.
Not just any old VW bus Priscilla forms an integral part of the stage set for the show.
Like many VW busses Priscilla can be temperamental and her computer gave the show’s producers a few headaches during pre-views. By the way, did you spot the divas up above the bus? Read on to discover more about their role in the story…
Although we all know that the bus is supposed to be the queen of the show she’s got some serious competition from the other stars of the show. Jason Donovan plays Tick who’s alter ego is drag queen Mitzi Del Bra. Tick agrees to travel to Alice Springs, in the heart of the Australian outback to do a show and invites outrageous fellow drag queen Adam, Felicia (Oliver Thornton) and recently bereaved, transsexual Bernadette (Tony Sheldon) to join him. They travel in a beat up, old VW bus which Adam christens Priscilla. Along the way they collect Bob, the mechanic, meet a variety of Australian characters (mostly in bars, see above!) and eventually reach Alice Springs where Tick is reconciled with his 8-year-old son Benjamin. Some find love, others understanding and all emerge stronger and better able to cope. It’s hard to say who is ‘queen’ of the London production but Tony Sheldon’s performance as Bernadette takes some beating.
Then there are those queens of disco, the Divas.The Divas are 3 first class singers who have been added to the stage show to get over the problem of miming. At several points in the show the three drag artistes mime as part of their stage shows, just like real drag acts would. To avoid the danger of the audience feeling the show was anything other than 100% live the idea of the 3 divas, described by Stephan Elliott the film’s writer/director, as ‘desert drag goddesses’, was born. The 3 divas sing and their songs are lip-synched simultaneously by the leads. The divas have to have amazingly strong disco voices that will stand up to the power of songs like I Will Survive and Downtown.
Not only that they have to deliver these show-stopping songs whilst while suspended high above the stage, supported by harnesses that run right across their abdominal muscles. It is quite incredible that they are able to belt out these powerful anthems in such a precarious position! Being suspended causes another problem for the divas. Any wild movements and the whole set will start to swing. All their actions while they are up there have to be concentrated on their arms from the elbow to the fingertips. The divas in London are currently played by Zoe Birkett, Kate Gillespie and Emma Lindars.
Desert?
Priscilla Queen desert
The staging of the show is supposed to evoke the Australian desert. This is mostly done with atmospheric lighting but it can’t really compete with the reality of the film. And why should it? This is a stage musical after all and we are there more for the music and the spectacle than any deep meaningful insights. The desert and the feeling of heat was such a big part of the original film because the outback has special cultural significance to Australians. This is perhaps less true for a UK audience and anyway we’re far to busy bopping along to some disco classics to worry too much about anything deep and meaningful! Bring on the dancing cup cakes I say 
.
So there you have it, Priscilla, queen, desert, at the end of the day what matters most seems to be the celebration of the human spirit, love, energy and excitement of disco rather than anything too deep.
a
Related posts:
"Kerry Ellis (Wicked, We Will Rock You) is lined up to take over from Jodie Prenger as Nancy in the current West End production of Oliver! at the Theatre Royal Drury Lane.
Despite the Opening Night of Love Never Dies being over four months away, planning is already well underway for what should be one of the biggest nights in the West End next year.
Microsoft Excel whimpers under the weight of the exclusive First Night list. Filling a 1400 seat auditorium with invited guests, allocating seats and distributing tickets and keeping the right people happy is a logistical nightmare – one which we won’t wake up from for many weeks to come! From the First Night list to the First Night party – everything needs to be perfect. It is one of our jobs to organise the logistical and technical aspects of the evening, ensuring that the chilled champagne is flowing, the food is arriving out of the kitchens hot and everyone is having a great evening.
Meanwhile, final preparations are being made for the start of rehearsals in January, rehearsal rooms are being kitted out, actors are being measured for costumes, sets are being constructed, lighting and sound equipment lists are being finalised and the marketing team are preparing for the next wave of advertising and promotional events. The production office is busy interviewing and appointing staff for the various backstage departments – stage management, wardrobe, wigs, sound, automation, stage crew, lighting and follow spots.
Everything is on course for our first preview on February 20th…
Keep checking the website for further updates.
Image via Wikipedia
I found this fascinating quote today:
Yes, The Wizard of Oz is coming to London and the person to play part of Dorothy will be chosen by another reality TV style competition with Andrew Lloyd Webber and the TV audience making the final decision.wizardofozlondon.co.uk, The Wizard of Oz is coming to London, Nov 2009
You should read the whole article.
Seemed like a good idea to link to the Theatre Breaks Wiki which is a growing reosurce for all kinds of information and interesting articles about theatre breaks in London, keeping the shows and theatres up to date.
Newest pages are for
and there's a list of all the top London musicals and plays of course.
Theatre breaks are short holidays in London which combine best seat theatre tickets with a central hotel stay, usually three or fours star. It's a great way to see one of the big shows because you don't have to worry about traveling home afterwards, and everything is all paid for in one go - with discount rail fares from anywhere in the UK, and extras such as the London Eye flight or river trip on the Thames.
The Theatre Breaks Wiki here is used to maintain up to date information about the shows available for London theatre breaks, the Hotels and anything else that can help to build the best time in London's West End theatreland.
Seemed like a good idea to link to the Theatre Breaks Wiki which is a growing reosurce for all kinds of information and interesting articles about theatre breaks in London, keeping the shows and theatres up to date.
Newest pages are for
and there's a list of all the top London musicals and plays of course.
Theatre breaks are short holidays in London which combine best seat theatre tickets with a central hotel stay, usually three or fours star. It's a great way to see one of the big shows because you don't have to worry about traveling home afterwards, and everything is all paid for in one go - with discount rail fares from anywhere in the UK, and extras such as the London Eye flight or river trip on the Thames.
The Theatre Breaks Wiki here is used to maintain up to date information about the shows available for London theatre breaks, the Hotels and anything else that can help to build the best time in London's West End theatreland.
Theatre Breaks first video play in which two characters in search of a weekend consider the possibilities of taking a theatre break to London with a show, hotel and train deal.
| Summer Strallen in Love Never Dies « London Theatre Summer Strallen in Love Never Dies. October 18, 2009 — andyroberts. Summer Strallen is set to play Meg Giry in Love Never Dies when the London version of the new musical opens in March 2010. Summer Strallen is no stranger to London's West End London Theatre - http://londontheatreblog.wordpress.com/ |
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“Ladies and Gentlemen, At 11 o’clock on the eighth day of October 2009, I will be making an announcement of global importance. Should my commands be ignored, a disaster beyond your imagination will occur. Amor Numquam Moritur. Your Obedient Servant, The Phantom”
Latest News: London transfer for RSC Twelfth Night
First published: 03 Sep 2009
The capital’s theatregoers will be able to enjoy Richard Wilson’s Royal Shakespeare Company debut when Twelfth Night, which opens in Stratford in October, transfers to the Duke of York’s theatre for a Christmas season.
The Bard’s popular comedy of confused identity and entangled love lives runs in London from 19 December until 27 February and also stars James Fleet, Nancy Carroll, Jo Stone-Fewings, Sam Alexander, Alexandra Gilbreath, Richard McCabe, Pamela Nomvete, Simeon Moore and Miltos Yerolemou.
Wilson, most famous for his long-running role as the curmudgeonly Victor Meldrew in BBC sitcom One Foot In The Grave, is to play tormented steward Malvolio in the Gregory Doran-directed production. Also prolific as a director and supporter of new writing, Wilson’s casting comes as something of a shock as he has, in the past, expressed a dislike of Shakespeare, claiming in an interview with The Independent that: “I just don't have the intellectual capacity for Shakespeare... So I would rather not bother.”
Another performer easily recognisable to sitcom fans, Fleet, who played the dappy Hugo in The Vicar Of Dibley, returns to the RSC, for whom he has worked extensively, to play the foolish Sir Andrew Aguecheek. The piece also marks returns for Carroll and Gilbreath, who played opposite each other in Doran’s 2000 production of As You Like It.
The tale of Twelfth Night follows twins separated by a shipwreck who find themselves caught up in a web of love. Viola (Carroll) disguises herself as a boy to enter the service of Orsino (Stone-Fewings), whom she loves, but soon finds herself taking his words of affection to Olivia (Gilbreath), who has no time for Orsino, but falls, instead, for the disguised Viola. Meanwhile Olivia’s puritanical steward Malvolio finds himself persecuted by a band of drunken revellers.
Twelfth Night has been one of London’s most revived Shakespearean plays in recent years, with three productions since the summer of 2008, when Janie Dee and Clive Rowe starred at the Open Air theatre. In September 2008, Filter staged a version, which had previously been seen as part of the RSC’s Complete Works Festival, at the Tricycle theatre, while last Christmas Michael Grandage directed the Donmar West End production at the Wyndham’s theatre. The Donmar production starred Derek Jacobi in the role of Malvolio, for which he won the 2009 Laurence Olivier Award for Best Actor.
MA
Shakespeare always does well in London's West End and 12th night is one of the most popular plays.
